I’ve还开始在Style.com上浏览2013年秋季高级定制时装秀。我一直在寻找增加裙子细节的方法,但是在看到了高级定制服装之后,我认为这可能是不可取的。我在服装上注意到的是它们大多只包含一个“idea”。考虑这两件衣服(照片由 大都会艺术博物馆,根据其非商业用途 条款& Conditions):


这两件衣服在视觉上都很成功,因为它们“about” only one thing. The central 理念 for the first dress is the colors and 切 of the bodice; the skirt is kept deliberately simple, to keep the focus on the bodice.
The central 理念 for the second dress is the leaf-and-flower embroidery, and the “cut”连衣裙的款式保持简单,让眼睛专注于精致的缝线。
所以让’再次看看我的一些平纹细布:

Here there are at least three or four 理念s –凤凰,彩绘经线“flames”,荷叶边和颜色渐变。它’太复杂了。眼睛不’t know where to go.
这是最新版本:

在这种情况下,有三个想法–凤凰,颜色等级和涂漆的翘曲。我认为这仍然是一个易于管理的设计,因为中心思想(在我看来)是凤凰在地狱中消失并重新出现,但与上述两件高级定制服装相比,它仍然感觉过于复杂。如果我使裙子复杂化,那只会增加混乱。所以我’我现在偏爱一条简单的彩虹色平纹裙。我也可以消除左肩“flame” (the smaller 火焰 on the right side of the photo); to my mind, it distracts from the clean diagonal sweep of the phoenixes flying up into the inferno and out again on the other side. I may also eliminate the 火焰 shapes 切 into the bodice, for the same reason – though maybe not, as I really like those 火焰s.
但是目前,目的是简化。
Your cloth and your 理念s are stunning. I think you’re on the right track (simplifying). What you have here are fantastic 理念s for two dresses.
斯蒂芬妮
我同意–您的面料就是细节–礼服本身可以很简单。
Or maybe enough 理念s for a whole line /series of dresses? 🙂